Famous Female Landscape Painters in History: A Living Horizon
Chosen theme: Famous Female Landscape Painters in History. Step into a panorama of courage, color, and place as women across centuries reclaim the view. Join us, comment on your favorites, and subscribe for fresh journeys into overlooked vistas.
Emily Carr: Forest Breath and Coastal Weather
Carr painted the Pacific Northwest’s forests and villages with a sense of reverence, learning from the land and acknowledging cultures rooted there. Her canvases feel wind-stirred, like branches speaking—an invitation to look longer, listen deeper, and walk more gently.
Emily Carr: Forest Breath and Coastal Weather
She once lived and traveled in a caravan she nicknamed The Elephant, journaling through storms and long, rain-silvered days. Out of isolation came bold, swirling forms, as if trunks and clouds traded stories while she mixed a restless, moss-dark green.
Georgia O’Keeffe: Desert Bones and Blue Distance
From Ghost Ranch, she painted the flat-topped Cerro Pedernal again and again, a private mountain on the horizon. Skulls, cliffs, and sage made a spare alphabet, turning desert space into a sentence you can read across miles of light.
Georgia O’Keeffe: Desert Bones and Blue Distance
Even when working with hills and sky, O’Keeffe pressed toward essence. Edges simplify, color thins like sun-bled cloth, and shadows snap crisp. Her landscapes teach focus: remove the chatter until the land speaks a single, unforgettable word.
Victorian Wanderers: Marianne North and Susie M. Barstow
A gallery of journeys at Kew
Marianne North carried her easel across continents, painting landscapes and flora on site. The North Gallery at Kew Gardens still glows with her travels—walls dense with color like passport pages stamped by jungles, mountains, and far-off morning light.
Hudson River heights and sturdy boots
Susie M. Barstow trekked to vantage points few considered comfortable for women of her era. Her crisp, wind-bright scenes suggest sore legs, steady hands, and sunrise starts—reminders that beauty often waits at the end of a long climb.
Rediscover and report back
Explore digital archives, share links to favorite North or Barstow works, and subscribe to receive our monthly roundup of newly digitized collections and little-known exhibitions.
Grandma Moses: Memory as Landscape
Anna Mary Robertson, known as Grandma Moses, translated recollection into rolling hills, sugarings-off, and quilt-like farms. Her touch proves landscapes need not be grand to be great; they can be small, precise, and deeply remembered.
